Dear GTC Supporters,
The board of Generations Theater Company hosted a town hall meeting on Monday, April 1, 2024, to update our GTC friends, cast members, and supporters about changes in the board and to dream of possibilities for the theater company. We were excited to see such a strong turnout!
The evening began with a report by our board vice president, Robert Bearden, who welcomed everyone to the town hall. He introduced the board members present, including interim president Debbra Anderson, secretary Wendy Bearden, treasurer Edie Moro, and board trustee Wade Anderson.
Robert addressed the recent resignation of Cory Snyder as board president, sharing the board’s decision to offer her the position as an artistic director for GTC. He explained that this transition aims to streamline GTC’s operations, allowing Cory to focus her efforts on continuing to produce exceptional musical theater productions while the board manages the organization’s administrative affairs.
Wendy then read aloud our mission statement, reaffirming our commitment to providing artistic opportunities for individuals of all ages in the Tri-County region:
“Our mission is to provide opportunities for adults, youth, and children in the Tri-County region to perform, grow and explore their talents through various creative expressions, including musical theater productions, plays, original performance pieces, and workshops, by offering year-round community-based theater for all ages.”
After Robert shared, Debbra Anderson outlined our vision for the future of GTC, which includes expanding our repertoire through: straight (non-musical) plays; original works; dinner theater; workshops; mentorship programs for emerging directors, training those interested in learning sounds and lights, and other areas of interest. She encouraged attendees to contribute their ideas for GTC’s growth and development.
To facilitate this, Wendy led the group in a Start, Stop, Continue, and Grow exercise:
Start: What would you like to have GTC start doing?
Stop: What things should GTC stop doing?
Continue: What does GTC do well and should continue doing?
Grow: How would you like to grow – what new skills or areas would you like to develop for yourself?
Attendees were invited to share their thoughts on sticky notes, which were then placed on corresponding poster boards at the front of the room. Robert provided a summary of the feedback provided for each category.
Following the meeting, a survey link was shared to allow the GTC community to provide feedback — from those who attended the meeting as well as those who could not.
Now that the survey results are in, these have been combined with the feedback received at the town hall meeting. Below are those results.
We extend our heartfelt thanks to all who participated in the town hall meeting, and we look forward to working with the GTC family in implementing your valuable feedback.
Generations Theater Company
START, STOP, CONTINUE, GROW EXERCISE RESULTS
START
Improving Rehearsal and Performance Experience:
Start providing wireless vocal microphones for cast members
Start implementing hard end-times for rehearsals for youth cast members
Start establishing clear schedules and expectations for rehearsals and performances
Start considering fewer mainstage shows per season for better quality and happier performers
Start allowing more water breaks
Enhancing Communication and Marketing:
Start creating a centralized online platform with detailed show information and audition dates
Start an email list for show invites to streamline ticketing process
Start advertising online for positions GTC needs that don’t include acting.
Community Engagement and Fundraising:
Start engaging large local corporations for donations
Start partnering with JCSD and other local arts organizations
Start getting more involved in community events (4th of July festival, Function 4 Junction, the Scandinavian Festival, and the light parade).
Start exploring government grant programs for the arts
Start organizing small-scale fundraisers and building campaigns
Talent Development and Support:
Start offering workshops and mentorship for less experienced members, including those who can’t read music
Start providing rehearsal times for backstage/tech crew setup prior to the actor’s arrival.
Start establishing clear support persons/mentors for cast or crew members in-need
Start treating community members more kindly in feedback and be more clear in communicating expectations
Production Improvements and Expansion:
Start initiating a capital campaign committee
Start lengthening tech week for better preparation
Start recruiting dedicated stage crews for offstage needs
Start having dedicated team leads for set construction, prop collecting, etc.
Show Variety and Innovation:
Start exploring new show formats (i.e. performing plays, hosting dinner theater, exploring reader’s theater, etc)
Start offering season-specific shows and plays
Start experimenting with different settings/venues
Start back-to-basics stage makeup tutorials
Education and Outreach:
Start hosting workshops for audition preparation and basic acting lessons
Start integrating with local schools and involving high school students more
STOP
Production Process and Scheduling:
Stop scheduling 6-day per week rehearsal schedules, unless absolutely necessary
Cast and Community Treatment:
Stop having children under 10 move sets while also being cast members
Stop blatant favoritism
Stop asking too much of individuals without providing necessary resources and support (i.e. asking cast members to help in other show services areas offstage)
Technical and Production Decisions:
Stop implementing overly complex lighting setups until sustainable
Stop pressuring actors (especially youth) to participate in productions due to low turnout at auditions
Stop casting the same members as leads repeatedly
Stop announcing or casting shows until the production is certain
Stop relying on individuals for costumes, set pieces, and props
Stop needless spending and accepting donations that can’t be applied to multiple shows
CONTINUE
Inclusive Shows:
Continue producing shows for all ages and skill levels
Continue hosting combined kids/adult shows
Continue reviving popular shows from previous years
Better Performance Space:
Continue improving the performance space for use by many local actors/artists
Musicals:
Continue having a high priority for musical productions
Continue exploring various musical genres
Community Engagement:
Continue engaging and expanding the community
Continue showcasing local community members on stage
Communication and Talent Development:
Continue maintaining transparent communication
Continue investing in and nurturing talent
Continue fostering enthusiasm and dedication
Production Quality:
Continue maintaining and growing props/costumes
Continue emphasizing excellent vocal performances
Continue upholding high standards for shows
Positive Atmosphere:
Continue fostering a positive atmosphere during rehearsals and performances
Frequent Productions:
Continue offering multiple shows per year
GROW
Skills Development:
Grow by offering workshops/classes on grant writing, tech management, and business aspects of theater
Grow by becoming a director
Grow by becoming a playwright
Grow by leading a tech team
Grow by teaching (writing, dance/choreography)
Grow as an actor (projecting, emoting, blocking)
Grow as a singer (breath control, vocal placement, projection, singing a part)
Grow as a dancer (including musical-specific dance styles)
Exploring New Areas:
Grow by trying different musical styles
Grow by trying different theater genres
Grow by experimenting with radio drama/voice acting
Engaging with the Community:
Grow by partnering with local groups for outreach to schools, churches, and clubs
Grow by collaborating with JCSD to offer dance workshops
Grow by offering workshops in set construction and costuming – open to the public
Talent Support:
Grow by providing opportunities for aspiring directors and performers
Grow by mentoring young directors and nurturing local talent
Grow by offering more opportunities for youth productions
Grow by offering performing arts opportunities for people with limited availability (2 evenings per week).
Creative Projects:
Grow by creating original musicals, like “Homeschooled – The Musical”